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Nick Jaina is a very accomplished and demiurgic Portland, OR-based singer-songwriter whose lyrically romantic scenarios luxuriate in diversely orchestrated carnival folk-pop. His stately and quietly startling new album A Bird In The Opera House reminds me of when I was a teenager and brought home armloads of classic folk, rock, and even classical LPs from the library. I would spend lazy afternoons flicking between Simon & Garunkle and collections of courtly love music, sampling the poetic plumes of spoken word and instrumentals on The Amazing Adventures of the Liverpool Scene, and winding into romantic mesmerization with the ballads of bands like Jefferson Airplane.
A Nick Jaina record is just as rich in acoustic-based tapestries of sound and seriousness of mood. It may just be a sublimely melodic lead vocal and sweep of old strings, but tracks like "Days In My Room" and "Asheville" are meant to carry you into a more lived-in, yet more literary, world of indie rock song-craft. He is an unusual artist in the chamber/roots underground, due to higher level composing and arranging skills, a really sophisticated playing sensibility, and a Stoically mature confessional outlook in the songs.
Tonight at the Crocodile, behold the power of Chris Funk and his ensemble of cunning accomplices as they take over the room with their part rock jam / part concerto hymns.
Latest comment by: Erik Gonzalez: "You know you'll enjoy this if you enjoyed the UMass Front Percussion Ensemble's cover of "Paranoid Android"."
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